See
‘100 words ,’ an attempt to explain what I think I might be doing, at the end,
after Conjugating Art Forms and ‘7s, 5s, 12s, and Song as one short effort, and
A Possibility That A Next Layer of Social Order in History May Be Here.
1—Conjugating Art Forms and
7s, 5s, 12s, and Song [The latter to be repeated after lining outs in
each week of TSOH]
Here are the basics
of conjugating art forms (Norman Fiering has written a great letter to a fellow
translating Out of Revolution into Japanese—it explains the context of ‘Out’.
Now, the contest of The Tune of The Twelve and The Symphony
Of – ‘that is!’ --(Peace) History.
Law. Start out with 6 days of creation and resting on the 7th. Day continues until Jesus, who Rises on the 8th,
etc.
Lyric. 5 sections of the Psalms.
Evaluation. The 12 (Minor Prophets) is retuned
theologically.
Fact. Jesus’ 7 Attributes are retuned at His Rising, by
circle of 5ths. (So are the planets, from starting at Earth astronomically, to
having Sun-Day as the first of the week.). 3 other things happen from Rev.
5:12, to Rev. 7:12: instruments, singing instead of saying, and Attributes have
a ‘the’ in front of them, instead of being not individuated.
This is parallel.
Chiastically, after we have matured through redemptive history and
guarded the Garden/Creation (Holy War), we, the Garden and the Gardeners are to
psalmodically respond to the exnihilatory speech, with A New Song. TSOH trains
in this as a universe of questins under the 4 forms, are asked and answered,
indifferent sequences, unto training/learning to play, do, be, compose, conduct
a Symphony of History, T. H. E. Symphony of History.
(Typological.Hospitality.Evangelism./Come into the house of God’s history).
Conjugate a psalmodic response like this in Psalm 1: 1.
Blessed is the man that walketh not in the counsel of the
ungodly.
Nor standeth (?)
Nor sitteth (?).
In history, art forms: Covenant oriented toward heavens
above is liturgy.
Covenant oriented toward waters under the earth is the
scientific method.
Covenant oriented (or northed?) toward earth beneath
[people, made of dust] is (?).
---Put with chaos theory 7s and 49s, and 100 words. Compare
to ‘blooming, buzzing confusion’.
Line outs:
6, yea 7 days
Psalm sections and last lines
The 12, in each order
Rev. 5:12 and Rev. 7:12
2--The econweb might be a next
social layer. Austrian economics, ‘anarchic’ web/internet.
3—One Hundred Words.
[This is long because we have not been working on it for enough time
to make it short].
Benefits: It would be good, in a neo-tribal era, to have the
benefits of small, enthusiastic groups, WITHOUT the perpetual war of the
tribes. We need an institution to do this.
So too with the covenant applied to each deck of the
three-decker world: Liturgy is the covenant applied toward the heavens above,
the scientific method is the covenant applied toward the waters under the
earth, and we hope to find the better ways to apply the covenant toward the
earth beneath, people made of dust/dirt.
Proof: It worked for
‘7’. That is, empires old and new were
conquered because Israel Old and New worshiped each 7 days, in effect saying
that the god of the empires (stars, planets, sun) were deficient because The
One True God Trinity made them in 6 days and rested on the 7th, and
we amen that by worshiping each 7 days.
Another proof: Some say that the requirement that all males
over twenty had to come to Jerusalem for 3 different festivals was designed to
move Israel from an agricultural society to a citified one, and the law of the
rebellious son got Israel out of paterfamilias, for the father and mother were
to take one such to the elders to be judged. (Bledsoe)
I attempt a ‘49’. A
Jubilee glorification and application. From Luke 4, Isaiah 61, Leviticus
25. Christ said, after he returned from
the temptations in the desert, that He had fulfilled the Jubilee, after He read
from the Scriptures.
We see what has happened with the 7, and with the 3
festivals. Chaos theory says that when initial conditions are changed slightly,
great changes are made in ending condition, so, though it is NOT a replacement,
a calendar emphasizing 7, and without months, and with more and more rhymes,
will make for great differences, though chaosconcerting. Let’s try 49 as
initial condition.
We amen the 49, and they amened the 7. We start with the 49-book Bible, literarily
done. http://www.biblicalhorizons.com/biblical-horizons/no-80-rethinking-the-order-of-the-old-testament/ Then we rhyme other structures with it,
within it, and around it.
I explain these in a short essay or two a week, for the year
from Resurrection to Resurrection.
How did it start, that I would try to make/amen another
layer of social order? Well: Universal
History 1954. ERH tribes w/o war (CH: Where are the small enthusiastic groups?
I explain and articulate more and more as the time rolls on. TSOH with app
electronically is one such—there are many more.)
Another way of saying what I’ve said above is this. ERH (Rosenstock-Huessy) says that after the
Resurrection, the church is Israel without exclusion, and the nation-state is
empire without slavery, so we seek an institution that is the tribes without
perpetual war BUT, JBJ says ‘don’t play God,’ in ‘Through New Eyes,’ so we do
the 49, like unto the 7—and we’ll expand this planet-wide and beyond..
Psalmodic response as ultimate theological dynamic, and
maturation, Holy War, , whole redemptive history and patterns., etc.
There have been 7 or 8 layers of social order in history.
JBJ: Tribes, Nations, Cosmopolitan, and after Jesus, in parallel, Church, Christian State Israel , Greece , and after Resurrection,
Church, Nation-State, and we await the glorification of the tribe…well, ERH
says we should work toward it, sociologically. What is next?
Can we respond and make another in a time of 5th
generation warfare, in which small groups or even individuals can destroy
things through networks and jet planes, for instance, to carry biowar agents
world-wide quickly.?
Heres a background: ERH: Technology destroys old group,
while expanding spatial reach, and shortening time it takes to do things.
We ARE in great technological change.
In Chapter 5 of Gardner’s ‘Beyond Belief,’, he traces the
European revolutions on ERH’s patterns. After each Imperative, there is a
Subjective response of new persons and speech, and then a Narrative response of
new institutions, and an Objective response of planetary service. After Eugen
Rosenstock-Huessy.
James Jordan’s ‘Crisis, Opportunity ,
and the Christian Future’ tells it as Law, Lyric, Evaluation, Fact, leading to
new Torah.
Calendars are what remains of old orders. Tribes, community
celebrations, Empires, business work schedules and product development and
marketing, Israel , church
calendars, Greece ,
educational schedules. We try to reverse this, and have the calendar first, the
Jordan 49 Jubilee Calendar/House Of Singing Times. It is what we present first. It is our
Sheffer Stroke, from which all develops.
--
About mathematics as another illustration: Whitehead and
Russell, 5 operations. But Sheffer, only
one—not both the one and the other—from which all can be derived.
Yet Goedel’s Incompleteness, etc. Some things are well-formed formulas
(statements) that CAN NOT be derived.
Thus, First Beatitude in all.
This is part of a chrestomathy of House Of Singing Times (a
calendar that reverse-engineers a next layer of social order in history) which
HOST is itself the fourth phase of what ERH called a ‘revolution,’ as best
explained in Clint Gardner’s ‘Beyond Belief,’ Chapter 5. Summary available on request.
I start with the fourth phase, though usually the Imperative
of Comprehensive Beauty would come first, followed by the Subjective of The
Pella Square (proposed to be a formula for community discipling, as The Romans
Road and/or The Four Spiritual Laws are for individual evangelism), and the
Narrative of The Symphony of (Peace) History (see above)
BECAUSE I believe that since we can see what has happened,
and since there may be a Rosetta Stone of Time (Amos 3:7) that means that the
future does also communicate with us, as the past and the present do, then we
can sense the future, for we are in Trinity, who is everyWHEN, and we can act
appropriately because of that. More on
this later, Lord willing.
Chrestomathy is a collection of choice literary
passages, used especially as an aid in learning a foreign language.
In philology or
in the study of literature, it is a type of reader or anthology which
presents a sequence of example texts, selected to demonstrate the development
of language or
literary style.
---
Chrestomathy 5b/53
Tuned Empathy + Saturated Intuition This Week
The benefit to you is
that as I go through this, I learn things to pass on.
For instance, this week I got into a field of 343 new words
(7 cubed) that expands the comprehensivity that is being beautified.
I’m also thinking that the econweb has much to do with a
next layer of social order, toward peace in a neo-tribal era.
Thirdly, The Symphony of (Peace) has been better articulated
for my play/do/be/compose/conducting her next coram in that there is much to be
said for the proposition that A New Song is a psalmodic response/glorification
of the Exnihilatory Speech of the Days of Creation.
The whole think is in my Facebook Notes and at
chuckhartmanhistoryconductor. This last
is an imperative.
Love in King Jesus,
Chuck
PS: Oh, and in response to an exhortation in the sermon, I
have retained Hannah Rooda to work on composing a leitmotif/overture for The
Tune of The Twelve.
PPS: Table of Contents: 100 Words, conjugating art forms, econweb,
7 and 49 as initial conditions of a chaos theory—small changes in initial
conditions make big changes in results, 343 new words, the chaos theory remark
above as the other side of the chaosconcert of organizing better conducting
from the seeming ‘blooming, buzzing confusion’.
PPPS: Two possible bonuses from The Tune of The Twelve. If
we have two of the notes of a 3-noted chord as the chronological order of the
minor prophets, and the theological order, and if our musical senses are
well-tuned enough to detect ‘good’ music, then the respective third notes of a
chord sequence may be a articulation of a previously undetected ‘God is Good
and Harmonious’ sequence running through. And some questions about Joel may be
more answerable with this musical exegesis, which is part of a bigger effort by
me re: TSO(P)H.
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