Chuck's Calling Explained Not Cryptically

Dear Burke:

Chuck’s Calling Explained Not Cryptically

First, I’ll tell you what I’m going to tell you.

Then I’ll tell you.

Then I’ll tell you what I told you.

I’m going to tell you how the shape of a liturgical sequence applies to the scientific method and to the art form of the next era.

To the telling.

JBJ puts a liturgical sequence in the form of 5 Cs.

Call.

Cleanse.

Consecrate.

Commune.

Commission.

Let’s take Newton’s apple and run it through these 5 Cs.

It fell, he was Called to figure it out. Many apples had fallen before.

The analog to Cleansing in Confession and Authoritative Declaration of Forgiveness would be Newton’s confession that he didn’t know then how the apple falling was caused, and his inner conviction that it could and should be explained.

In Consecration in liturgy we have Readings (Lectionary) and Sermon. Newton’s analog would be research on what others have written, and his own tentative hypothesis.

Then he would test it out in a couple of ways, similar to eating and drinking—the unworthy are hurt, the bad hypotheses don’t make it. Note two witnesses.

A good hypothesis becomes a theory to be used in the world.

That’s part one of the telling.

Part two of the telling is how this applies to the next era.

Here I use the basic idea that there is a 3-decker world. Heavens Above, Earth Beneath, Waters Under The Earth.

Liturgy applies to Heavens Above.

Scientific method applies to Waters Under.

(God sings Psalm Tone D—high, low, middle).

The art form of the next era applies liturgical sequence to Earth Beneath, people made of dirt.

Basically, each of 9 other people is trained to be a conductor. (ConductHistoryPray).

They learn by doing, by being a part of a Conducted Symphony. TSOCHI—The Symphony Of Comprehensive History Interactive.

First, find each one’s imperative. That’s ¼.

Their name is the second.

In combination, assign them a lens and a verse (or historical figure, or age, etc.)

And a Day. I claim 12 Days make comprehensivity. 6 Creation Days. 7th Creation Day, Fall. Day 8, Resurrection, 9 Ascension, 10 Pentecost, 11 A. D. 70, 12 The Great Day/Final Judgment.

Conductor plays Days 1, 8, and 12.

When you have these, you run them through the 5-part sequence.

Each initiates each time (week) under the banner of the appropriate part of the 5.

(Note please that there are many 5s—North’s THEOS and many others, Bull’s CD (ATM) CG, JBJ’s work on the Lord’s Supper and Creation actions, the Levitical sacrifices, etc.)

Each ‘I’ Initiation begets and ‘R’ Response, making, pun intended and ‘IR’—city in Hebrew.

So each Day is confronted with a complete universe of initiations each time (week).

Responses are in the form of 10 words, 70, 153, @500.

There are also weekly (each time) summaries of a couple minutes, @ 500 words.

Thus, over the course of tie times, each ‘writes’ a Solo.  The Conductor, Day 12 (and 1 and 8) sums all up.

Thus, a TSOCHI.

I’ve told you what I was going to tell you, I’ve told you, and what I’ve told you is how the shape of a liturgical sequence applies to the scientific method and to the art form of the next era.

--

What’s the use of this? As liturgy cuts us up and puts us bac together, better able to battle, it applies to The Waters Under, and to The Earth Beneath. Thus we respond ever more appropriately to God’s Commands, and to What God Has Done For Us.