First learn to read then sing
First, the CONCLUSION
With Psalm 117’s 5-6-7 of Praise!, praisers, Praised, we
have two thing.
With the chronological occurrence of The Twelve (minor
prophets) laid on an octave, but played as put in the Bible, we have a third.
(New Bible Commentary).
With William Jordan’s and Martin Luther’s musicality
resulting in tunes and elaborations of Psalm 146, we have a fourth.
With the 4 notes of Beethoven’s 5th, elaborated into the
symphony we have a fifth.
Now, since we have both the structure of each book of the
Bible (Bullinger and others) and the keyboards of history working on the first
word-letters of the Bible (BRS-HT, bereshith, house, head, eat, cross, combined
with Acts 2:42 (modified) as Fellowship, Apostles’ Doctrine, Breaking of Bread,
Prayer,
We are farther/further along the way toward the Beatific
Harmony of Principia Operatica.
I await.
Example: Reading Exodus 1:15-22
King James Version
15 And the king of Egypt spake to the Hebrew midwives, of
which the name of the one was Shiphrah, and the name of the other Puah:
16 And he said, When ye do the office of a midwife to the
Hebrew women, and see them upon the stools; if it be a son, then ye shall kill
him: but if it be a daughter, then she shall live.
17 But the midwives feared God, and did not as the king of
Egypt commanded them, but saved the men children alive.
18 And the king of Egypt called for the midwives, and said
unto them, Why have ye done this thing, and have saved the men children alive?
19 And the midwives said unto Pharaoh, Because the Hebrew
women are not as the Egyptian women; for they are lively, and are delivered ere
the midwives come in unto them.
20 Therefore God dealt well with the midwives: and the
people multiplied, and waxed very mighty.
21 And it came to pass, because the midwives feared God,
that he made them houses.
22 And Pharaoh charged all his people, saying, Every son
that is born ye shall cast into the river, and every daughter ye shall save
alive.
Now read it with Hebrew Cadence—8 ‘midwives’ emphasized.
15 And the king of Egypt spake to the Hebrew MIDWIVES, of
which the name of the one was Shiphrah, and the name of the other Puah:
16 And he said, When ye do the office of a MIDWIFE to the
Hebrew women, and see them upon the stools; if it be a son, then ye shall kill
him: but if it be a daughter, then she shall live.
17 But the MIDWIVES feared God, and did not as the king of
Egypt commanded them, but saved the men children alive.
18 And the king of Egypt called for the MIDWIVES, and said
unto them, Why have ye done this thing, and have saved the men children alive?
19 And the MIDWIVES said unto Pharaoh, Because the Hebrew
women are not as the Egyptian women; for they are lively, and are delivered ere
the MIDWIVES come in unto them.
20 Therefore God dealt well with the MIDWIVES: and the
people multiplied, and waxed very mighty.
21 And it came to pass, because the MIDWIVES feared God,
that he made them houses.
22 And Pharaoh charged all his people, saying, Every son
that is born ye shall cast into the river, and every daughter ye shall save
alive.
Thus, there are 8 instances of ‘midwives/midwife’.
Significant. This establishes a BEAT, a
Hebrew Cadence, using Cascione’s term.
With Psalm 117’s
5-6-7 of Praise!, praisers, Praised, we have two thing.
With the
chronological occurrence of The Twelve (minor prophets) laid on an octave, but
played as put in the Bible, we have a third. (New Bible Commentary).
With William Jordan’s
and Martin Luther’s musicality resulting in tunes and elaborations of Psalm
146, we have a fourth.
With the 4 notes of
Beethoven’s 5th, elaborated into the symphony we have a fifth.
Now, since we have
both the structure of each book of the Bible (Bullinger and others) and the
keyboards of history working on the first word-letters of the Bible (BRS-HT,
bereshith, house, head, eat, cross, combined with Acts 2:42 (modified) as Fellowship,
Apostles’ Doctrine, Breaking of Bread, Prayer,
We are
farther/further along the way toward the Beatific Harmony of Principia
Operatica.
I await.
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