Enunciation

 Notes from a layman.

CONCLUSION FIRST

Comprehensivity is the key. Hebrew Cadence. Jordan's Psalm translation (Theopolis?)

Reasons: Jordan from Casuto (Jew, for Vatican, ancient documents expert, to Cascione.

'Repetition in the Bible' explored how Gospels were written in the sam way as Moses, etc.

They used Hebrew Cadence.

Hebrew Cadence shows unification by number of times a word/concept is used in a pericope or book.

Thus, which reading used for Revelatio's last verse? 
The one that finalizes number of uses.

2--Some LCMS guys only use sing-song to preach, read--theory: concentrates attention on test.

3--Wrong! Only have trained reader, correct tone. Pastors.

4--Example: Chinese tone make a lot of differenc.

5--Though Sanskrit has more tenses, classics kept alive by memorized singing for centuries: 'Myth of Invariance' book.

6--The Bible is music. Example: Chiasms turned 90 degrees are mountins, scaleable. Dorsey, Bullinger (Companion Bible).

7--Also, tabernacle of the mouth.

My work if to 'compose/amen' Opera Of History (OOH!) that is also a response to 'God is our song' 'All Scripture is God's Breath (breathed out by God). It's slow, 3 ggeneration, credit to Rosenstock's 'Symphony of History'.

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Why only comprehensivity? Because Goedel destroyed logic by his Incompleteness Theorem ('Any axiomatic system has Well-Formed Formulas that can't be derived from axioms.') Also Shroedinger and Heisenberg destroyed correspondence.

Suggestion: Get Jordan's Psalm translations from Theopolis and have someone compose based on them, and sing for comprehensivity. Note: I have created a dance for Psalm 150:4--I bought a timberel/tambourine. Also, in OOH! I have some parts that are both Blank and Song of the Whole Bible.

CONCLUSION: Sing Psalms with Hebrew Cadence.

Love in King Jesus,

Chuck