. When I'm certified, I can fulfill the 3rd part of Jeremiah Time. #1 is the '1000 years'book/plot of land, #2 is eschatologocal (and even now) evangelism/jeremiad, and #3 will be for the good of the old home town, American History/Roseto. As you may know I was, without informed consent, given a drug, that made it VERY difficult to walk, but I'm doing #2 for that. You migh search 'American Thinker 'Run Death Is Near' for that.
BUT here are some unsolicited thoughts on music. #1 is comprehensivity.
Cascione says 'couunt the words/concepts'. For Psalm 117 with 150:6 KJV that 5 commmands to praise, 6 praisers, and 7 Praised. Laying that on an octave gives us the notes for each phrase. JBJ influenced Cascione.
You could use.JBJ's Psalm translations with bolded significant words/concept, and have one of the Psalm 250 instruments sound when they are sung. The up/down at the end is OK, for it seems to me that this is an amen to descent/ascent. And The Twelve is a 4 non-chronological, and 8 chronological, which points also.
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Now this is too radical for JBJ, but it's an answer to the question; 'How do we know the tune of Job 38:7?' It appears to me that the 4 consonants the B R SH T give a clue. Put the Hebrew letters of Ps. 119 into 7 sevens and a 1, and you get BFGA. This would be like the 4 notes that start Beethovens 5th, which are articulated. One would need to see this pattern throughout.
Alas, I'm immusicate, if that's w word. It DOES seem to me that Goedel has destroyed non-contradiction, and Heisenberg/Schroedinger correspondence, so what we need is comprehensivity.
Love in King Jesus,
Chuck Hartman
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