Great-grandchildren. Principia Operatica, 3, yea 4
Save this for your great-grandchildren!
4 first: I get such wisdom flowing into me at ‘Steiner
Time’, between sleeping and being fully awake, that I cannot as yet, complete
my 5 comprehensives of ‘The Next Thousand Years A Prayer’. It’s not necromancy,
but the mind/brain works differently then.
1: I was using 42 x4—Words for letters B R SH T, and Acts
2;42, but also works 24x7. And 8x21, and 12 x 14 (14 is 1/3 of 42). 12 from JBJ
‘Covenant Sequence…’. Sevens, eights, and twelves can be piano-played. Beware
the Pythagorean Comma! Flip the chiasm of the book 90 degrees, making a
mountain. The higher up, the more toward g of abcdefg, and the shorter the
notes? Each of the six sevens of 42 is a scale abcdefg.
Musicate persons will better be able to respond musically to
the music/song of each book.
The idea fleshed out is a book per week, the
Bible in a years, using Jordan’s ‘Rethinking…’.
So we get to a new twelve through this book a week, the 5 Cs
liturgy through the year (10, 11, 11, 10 (+7), the song of each book, the
musical back-singing (ARTS—Amen, ‘Respondeo’ (ERH), Theodicy, Supplement to
catechisms, confessions, church years, church worship sequences… .
PS: When we know how we got from Biblical stuff like psalmodic
parallelism, Hebrew Cadence, Psalm 150 instruments, abecedaries, etc. to
‘Italian’ stuff like rhymes, etc. then we can figure out how to get to even
more glorous music, because we’ll have a hint to the process. Quantum strings
vibrate (Laszlo) and even aborigines believe music is creative (‘The Field’)
and Hindus remember basics by sone memorized (‘The Myth of Invariance’) and
also (TMI) Plato’s Republic was so musical he didn’t like the dissonance of 729
(3 to the sixth).
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